I also remember bloodwillhavebloodtheysay, who I didn’t know yet, dressed fabulously as the carnival fat lady. It was one of the rare nights I got to see Conor Doyle’s Boy Witch, and also the first night I noticed Paul Zivkovich, who was the Porter and left me in awe. This was my 11th visit to the actual show. I don’t think there’s a video but I also vividly remember William Popp doing a dual-gendered Calloway. The party kicked off with a fabulous performance where he was controlling bewitched members of the carnival troupe, which you can watch here.Įach night had carnival-related performances throughout the space - there are a bunch of videos, including Conor Doyle as a clown, Haylee Nichele as an enchanted doll, Ava Lee Scott doing a bullfighting thing, and Mariel Lugosch-Ecker and Emily Terndrup doing the can-can. It featured Gregory Dubin (who often appears at the Follies as the magician “The Great Dubini”) as “Monsieur Gaufridi,” a demonic carnival master. I’d had tickets for Halloween night, but ended up at the rescheduled one on December 1. Come dressed as the carnival denizen of your choice.”Īlas, nature itself apparently objected - Hurricane Sandy hit, and the last few shows got moved. Le Sorcier - “On All Hallows Eve, the choice is yours. Triplets, quadruplets, quintuplets and beyond are most welcome.” Les Sœurs Siamoises - “On this night, bring along your identical twin. Dress as sorcerers, witches, fortune-tellers and other bohemian creature of the night.” La Clairvoyante- “Conjure the spirits of the dark side. For this night, dress in your gender-bending finery.” La Femme a Barbe - “Unleash your alter ego of the opposite sex. Come in your most glamorous and provocative attire.” La Contorsionniste - “Throw modesty to the wind and flaunt your flesh. Feathered, furred, or scaled attire required.” Le Charmeur de Serpent - “Let the animal kingdom inspire your dress for the evening. In 2012, the party was “Carnival des Corbeaux.” It went six nights, each with a different theme, tied together by the concept of a carnival. I do remember Violet giving a toast “to sleep” when we entered, which was adapted from Macbeth’s lines right after he hears the voice cry “sleep no more.”Īnd here’s Brandon Tyler Harris as “Charlie.” He’s fabulous - wish he was around more! It was only my 4th show - I probably just got there too late. The night actually started with a funeral procession for Macbeth outside on the street while people were queuing, but I somehow managed to miss that. Plus McKittrick galleries for each night: Danse Macabre, Aphrodite’s Revenge, Last Rendezvous, Night of the Apparitions, & Darkest Shadow. There’s a good photo slideshow with informative captions at Vanity Fair, and a blog post recap here. I was awed by the transition and how smooth and well-produced the party was. Then there was suddenly alcohol everywhere and we were all dancing. Instead the Preservation Hall Jazz Band from New Orleans appeared, with a bunch of the characters, and they took Macbeth down and had a jazz funeral for him, through the crowd in the ballroom. My main memory was that after the show ended, it didn’t end. I went to the one on October 30 that was themed red, “Aphrodite’s Revenge.” That year there were five parties, each with a different theme and dress code color. One masked guest told us, “This was a night I never wanted to end.McKittrick parties started with Halloween 2011. Jazz band Preservation Hall flew in from the Big Easy to play during Macbeth’s funeral procession turned dance party. got an exclusive look inside the Saturday performance, “The Last Rendez-Vous,” where guests (celebrity fans included) started the night with a shot of absinthe, toasting Macbeth’s death. For Halloween week, the show had five special themed performances with surprises around every turn. Chillingly and beautifully directed by Felix Barrett and Maxine Doyle, it brings the tale of Shakespeare’s tragedy Macbeth to life through silent dance and an exquisite set. There isn’t anything quite like Sleep No More. Manhattan may have been a snowy tempest on Saturday night (with no cab in sight), but this didn’t keep a sold-out crowd of film noir–dressed revelers from slushing their peep-toe stilettos all the way West to Tenth Avenue to spend the evening with the Punchdrunk theater company’s Sleep No More.
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