While jump-scares could have been enough to entertain on a lesser project, though, A Quiet Place succeeds because they root the whole thing not in the threat of being heard, but in the terror of a parent losing their child – a failing of humankind’s most instinctive, essential purpose that recalls Martin Freeman’s Netflix thriller, Cargo. Scott Beck and Bryan Woods’ screenplay is simple enough to allow Krasinski to milk every frame for maximum suspense – a boiled down approach that matches the taut runtime. Put your headphones in to get the full effect and you may find yourself pausing multiple times to make it bearable. The use of sound, meanwhile, is terrifyingly effective, reducing the volume down to a barely audible whisper whenever Regan is our focal point, and establishing a lansdcape that’s so devoid of dialogue that the tiniest crack or smash will have you leaping out of your seat. From the red fairy lights used to warn off those on the outside to the near-constant holding of one’s fingers to ones lips, Krasinski crafts a piece of modern silent cinema that rivals Mad Max: Fury Road for visual storytelling panache. Krasinski shoots the action impeccably, focusing on close-ups of faces and tiny actions, and avoiding glimpses of the creatures lurking off camera – by the time we do see them, their delicate, almost petal-like composition conceals something violently simple, a blend of foreign and identifiable that’s like HR Giger’s Alien worked out how to invent sonar. With Evelyn noticeable pregnant, and the day of delivery looming nearer, the only thing we know is that things are about to get louder – one scene involving Blunt in a bathtub is so excruciating it’s almost laughable. The weight visibly hangs on Emily Blunt and John Krasinki, whose parents convey every twitch of concern and pang of responsibility, often through their eyes alone. Particularly heart-wrenching is Millicent Stimmonds as Regan, the hearing impaired daughter of the clan, whose reliance on a broken hearing aid may well be the thing that has kept them all alive, as her relatives have all learned sign language. The pounding heart of the surprisingly emotional thriller grapples with the anguish of raising them within these impossible confines: not only is there the physical challenge of not making a noise, but also the emotional challenge of staying close, sharing the burden of past losses and sharing affection without being able to talk (father Lee spends more time chatting to nobody via morse code over empty airwaves). ![]() The cast are all superb, as young brothers Marcus (Noah Jupe) and Beau (Cade Woodward) slowly learn to adapt this strange new world – one where toys are only allowed if they don’t contain batteries and speakers, and speaking, shouting or knocking things over is an innocent mistake with lethal consequences. All we know is that the Abbott family are pulling together to survive – and they’ve been doing so for 88 days and counting. ![]() Where did the creatures come from? No idea. ![]() ![]() If they do, monsters pounce and kill them. A film in which almost nobody says a word, it’s a screechingly tense piece of cinema.ĭirected by Krasinki, the horror places us in the middle of an unsettling, unknown landscape: our world, but after some kind of disaster has wiped out the population, and humans live without making a sound. “Who are we, if we can’t protect them?” Evelyn (Emily Blunt) asks Lee (John Krasinski) in A Quiet Place, one of the most hair-rising, nail-biting, nerve-shredding movies of the year. Cast: Emily Blunt, John Krasinski, Millicent Simmonds
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